Tag Archives: editors

The Waiting Game: Take Two

Dear Diary, Ramblings, Writing, Writing Process, , , , , , , , , ,

Last time you saw the words “Waiting Game” here on my little slice of the Internet, it was to talk about waiting for news on a project and what to do to not stress. This is in the same vein, but more a story than an advice column.

Last time I attempted to publish a novel, I succeeded. It became what is titled The Protektor’s Reality, and I am so happy I finally got a published book. Waiting was the hardest part though. Not only for betas/edits, but covers, layout, the delay in instantaneously being able to throw your greatest achievement out into the throngs of people with confetti and flying money. Does matter if that waiting takes only 1 day or five months. Waiting is HARD.

For The Protektor’s Reality (hereby abbreviated “TPR”), I had a few edits I waited for over the course of five months. First one I sent out go it all back to me within a month. Luckily, she enjoyed it so much, she said she is always willing to read more. In fact, you’ll hear a bit more about her later (in relation to the reason for this post). The other edits weren’t so quick, but I eventually got them back. Waiting for those edits, even the one-monther, were absolutely nervewracking. At the time, I was still in school, so I could study and hang with friends while I waited.

That no longer applies.

Granted, I do have a full-time job now, which takes up a majority of my day. However, during down times at the office, my mind shoots back to what I am waiting on, if they’ll like it, if I’ll like what comes out of it, what that will mean for the future of my book, etc, etc, until I drive myself crazy and have to force myself to do the work that suddenly gets slammed on my plate.

I’ll lay it out, plain and simple.
Waiting.
Sucks.

We all have to do it, though. In fact, we all wait on a regular basis. For food to cook at home, or be prepared at a fast food establishment or restaurant.  For our favorite TV show to come back on after commercials. For the car in front of you to stop driving 30 in a 60 (on dry roads) and get their butt moving. For us to fall asleep at night.

Granted, a lot of these might frustrate various people. However, we writers aren’t only stressed by waiting, we are terrified. Why do you think that is?

Worry we won’t ever hear back.

Anxiety over our writing not being good enough to succeed.

Maybe fear over rejection or dislike.

Whatever our reasoning, as writers, we are terrified of waiting. Our work (or pieces related to it) seem to be in a state of unreachable limbo, and we feel so much fear it will never come out.

When I finally released TPR into the wild, a huge weight lifted off my chest. I breathed a sigh or relief, sunk into a comfy chair, let life start to go back to normal-stress levels. Soon after, though, came the big realization.

This wasn’t over.

If I wanted a future career as an author, one which I’d already started down with the launch on TPR, I would need to keep creating and publishing books.

With a wating game.

Every. Single. Time.

My stress shot through the roof. It wasn’t over. And, for us as authors and writers, it will never be over. But, that’s okay. Because, we are still doing what we love: creating stories, and sharing them with the world.

Currently? I’m in a waiting game again, and will probably be for a majority of 2016. I’ve sent off my betas, one of which being the one who read the TPR before its release. All my betas are reliable and have a considerable amount of willingness to make time to read, because they trust this will be a good read. Then, after that, I’ll make my personal edits as quick as I can, and send off to an editor. Then wait again. Once that’s back, make my final edits, send off stuff to layout and cover designers. Wait. Get all that back. Upload to self-publishing company. Wait. Receive proof on mail. Read and make sure everything turned out correctly. Hit Submit. Write another book. Send to betas.

Repeat.

It’s a neverending, vicous cycle of waiting in the author world, but, once we accept it as a part of our writing/publishing journey, it becomes easier.

What to do in that time frame?

Read this.

And, do what you do best.

Write.

 

Re-editing the Past

Advice, Writing, Writing Process, , , , , , , , , , ,

Lookie here! Posting after only a week! Woo!

I made a few commitments this new year, instead of resolutions, as inspired by my amazing mentor, Tee Morris (link). The idea is that we always believe that it’s okay for resolutions to fail, so,  when ours do, we shrug it off. Tee suggests instead making commitments, ones which we feel obligated to see through. One of mine is to blog more frequently.

Another is to get my next book published.

Yes, this is my earliest alert. It’s not certain yet (There will certainly be a blog post once I know definitely when it’s happening), but it’s my commitment to myself, so I will see this through to the best of my abilities.

One of the things I’ve always struggled with was editing my manuscripts. Writing the stories themselves comes easy. Tweaking it (or, in the case of wanting to be published, cutting out its heart with a spoon), is a much more daunting task. My novels are my babies, as many writers and authors out there can attest to. We put our heart and soul into creating these universes and characters and plots that always take a huge amount of love and care to create and maintain. But, then, in order to be the most competitive, we need to rip it to shreds, because, apparently, it’s not good enough as is.

At first, this was a hard thing for me to accept. When I started my journey into becoming an author almost twelve years ago, every bit of poetry/story I wrote was praised. Most couldn’t believe a middle school/high school student could write that well or that maturely. It built up my confidence in my writing abilities, one of the only things in my life I have confidence in.

The upsetting fact is that we are biased. When we write our first draft, we are blinded by this amazing world and in-depth, painfully-realistic characters we created all by ourselves. We have to come to the realization that, yes, this is a wonderful story, but is it the best for us, or the best for the story itself? It’s hard to come to terms with, because we can only see things from our own perspective, the one which created the story we fell in love bringing to life in text.

That’s when three things come in handy:

  1. Beta Readers

Beta readers are one of the best resources you could have. You can get help from people who you can trust will give you an unbiased review, with advice and tweaks in plot and flaws. The best part about these guys is the fact that they can look at it with fresh eyes. They have never met these characters before (or, in the case of a second or third book, never seen the situations they are about to), and can give a perspective of your prospective readers. You want your prospective readers to like it, right? take their advice then. Now, you don’t have to accept all their advice, but give their ideas and views a serious think-over before deciding on the edit.

2. Editors

They can be your best friend, or your mortal enemy. But, they have the best skills necessary to pound your precious baby into a strong, believable novel that will appeal to many (hopefully). That’s right, I’m talking about the cursed EDITOR.

Now, don’t get me wrong, some of my nicest friends are editors. But… They scare me! I’m terrified of editors, because you hear about the fatal pen all the time as a starting out writer. With all the marks of the Red Pen of Death, destroying everything you’ve poured a bit of yourself into. However, an editor just wants to make your work better. Their goal, believe it or not, is not to tear you, or your story, down. It’s just to help it be the best it can be. And, sadly, the best story it can be is not your first draft. Also, just like betas, you don’t have to accept every change they make. And, most will not be offended. In the end, you know what’s best for the story as a whole, but sometimes, it takes a skilled, outside opinion to gain a new perspective on the greatness your manuscript can become.

3. STEPPING AWAY!

This is the best advice I can give. When you are so blinded where you can read your story over and over again and see nothing wrong but a few missed commas or an capitalized T, you need to stand up and walk away for a while. My current project I’m editing, I haven’t touched since May of 2015. Back then, it had been five months since the last edit, and I apparently went to town on it. I didn’t even remember making immense edits on it until I opened the document this week to do more. In fact, the first chapter, the very FIRST paragraph, had things added that I hadn’t remembered even thinking of adding. The best part?

IT MADE IT BETTER!

And, if the prologue was made better after a five month break between December 2014 and May 2015, imagine how much I can make my story better after an eight month hiatus. In fact, just this week, my word count has been fluctuating, and I’ve been tweaking and editing, because, while I still love my characters and the universe I’ve created, I am not blinded by the stadium lights of a deviously tricky first draft.

My goal is to publish the best story my novel can be. In order to achieve that, I need to edit. We ALL need to edit. In the end, our opinions don’t really matter. Our readers do.

And, no matter how many edits we make…

The story will still speak for itself.

Critiques Aren’t Meant To Cause Pain

Fiction, Writing, Writing Process, , , , , , , , , , ,

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As a writer, you’d think I’d be used to critiques by now. I’ve been in a writing fiction class, where they tore my fantasy to shreds, and I’m currently in my senior level English class, where our class is working on a publication that will be distributed to my entire town, and have been slammed by the harsh critiques I’ve been getting.

What does that do to me as a writer? In theory, as a writer, I need to analyze the critiques, edit accordingly, and brush it off like it’s a piece of fuzz on your shirt. It’s very nice in theory, but very difficult in practice. When you get copies of your work back, a story or manuscript that has been your precious word baby for a while, you get this feeling in the pit of your stomach and a feeling like someone torn your heart into tiny pieces.

Something important happens after that though. You read the edits, and eventually realize that some – if not most – are things that should be changed to make it better. That hole is still there, but starts getting smaller. Does that mean change everything they tell you to? No, it doesn’t. You have to use your discretion as the WIPs creator and figure out what is essential to the story and what can be changed. When you overcome that barrier, the hole is about the width of a pencil.

Finally, when you send that prec023ious word baby of yours back to the editors, and it comes back with a bazillion red markups, that hole expands again, but this time not as big as the first round. As you progress forward and get critique after critique sent back and forth, you start to catch things and habits in your writing that reoccur. Things like in-depth details, or grammatical errors, or maybe that you’re a comma-happy person.

That’s the point I’m trying to tell myself, and something I’m sharing with all of you. CRITIQUES MAKE YOU A BETTER WRITER! While seeing the red pen marks of death may crush you inside, you need to remember that the reason you even get those critiques back is because the editors (whether they are fellow peers, family, friends, or even just a distant connection of someone you know) are only marking those things to make your story the best it can be. Without those marks and notes, the story would go to publication with all the little mistakes and inconsistencies you missed in personal edits. Every good author or writer needs someone who won’t be careful when critiquing and sugarcoat it in sake of your relationship.

As I’ve learned recently, I still get a little pang of pain in my heart when someone tells me my story needs “a little work”. However, the fact still remains that my goal is to be the best author I can be, and that I can write stories that others will enjoy and that makes people feel something inside. If I have bad habits in my writing style, I want them broken before my stories go to publication to give my readers the best, because that’s what they deserve.

I remind myself of that every time a critiqued story comes back to me. I take a deep breath, open it up, and keep on writing.